When looking for the perfect
presentation of the Motown sound and style, few fit the bill as well as Martha Reeves & the Vandellas. It was 1963 when
they moved from being Marvin Gaye's original backup singers ("Stubborn Kind of Fellow," "Pride & Joy,"
"Hitch Hike") to stars in their own right with the trifecta of "Come and Get These Memories," "Heat
Wave," and "Quicksand." Over the next decade, Martha Reeves & the Vandellas would be a consistent presence
on the music charts, as well as on television and top venues across the US and abroad.
With the unmistakable voice that helped define "the sound of young America," Reeves reigns as
one of music's most beloved and acclaimed female singers. As one reviewer recently exclaimed, "Martha Reeves is the ultimate
Motown diva with soul flowing from the tips of her toes to the last hair on her head. They don't make ‘em like that
anymore." Reeves and her Vandellas - her sisters, Lois (who joined the group in 1967) and Delphine (who came aboard in
1980) - remain in high demand, heating up clubs, casinos, concert stages, colleges and music festivals across the globe.
Their hits are a thing of legend: In addition to the aforementioned,
they include the gospel-tinged "Nowhere to Run," the classic soul favorite "My Baby Loves Me," the pop
anthem "Jimmy Mack," and the signature, "Dancing In The Street." While best known for up-tempo, hard driving
tunes, Reeves' shows are often highlighted by jazzy renderings of Billie Holiday's "God Bless The Child," her driving
original blues "Watch Your Back" (both included in her self-produced CD "Home to You"), and the perennial
showstopper, "Love Makes Me Do Foolish Things."
story is a familiar one to legions of fans.
Soon after graduating from
high school, she performed in clubs as "Martha Lavaille." One night, Motown A&R director Mickey Stevenson heard
her and invited her to audition for the then-fledgling label. The highly-motivated Reeves arrived the next morning. Upon
learning that auditions had to be scheduled, she made herself valuable by answering phones and taking messages. When people
say she started at Motown as a secretary, Reeves corrects them, laughing, "I was never a secretary. I was a singer who
Reeves soon become an invaluable administrator, interacting
with musicians and performers, scheduling sessions, and making sure that business was taken care of. And she waited her turn
to sing. One day, when Mary Wells missed a session, Martha stepped up to the mic, got notice and a contract. She left the
A/R department to become one of Motown's most enduring and beloved stars.
classics never fade, new and diverse audiences are constantly being introduced to the Martha Reeves songbook.
She has counted talents as diverse as James Brown and Beverly Sills among her singing partners.
Robin Williams spun "Nowhere to Run" in Good Morning, Vietnam. Her version of the Van Morrison rocker, "Wild
Night" was featured on the Thelma and Louise movie soundtrack. The boys in The Boys In The Band and Whoopi Goldberg in
Sister Act 2 partied to "Heat Wave." Everyone from Mick Jagger and David Bowie, the Mamas and the Papas, Dusty Springfield
and the Grateful Dead have gone "Dancing In the Street." Singers such as Adele, Amy Winehouse, Florence Welch and
Jennifer Hudson sing her praises. The popular US cable show "Power" (produced by rapper Fifty Cent) uses a reworked
"Nowhere to Run" as its theme song.
Moving beyond the confines
of the concert stage, Reeves starred in a US tour of the Tony-winning "Ain't Misbehavin'", and has performed in
road shows of "The Jackie Wilson Story" and "Good Black Don't Crack." She co-starred for three seasons
in the UK stage review "Dancing In The Street," alongside Motown peers like the late Edwin Starr, Mary Wilson, and
Freda Payne. Following Starr's death in 2003, Reeves held the spotlight alone. That same year, she made her opera debut
singing with the Motor City Lyric Opera.
Reeves is the recipient of
the Dinah Washington Award, a Rhythm n' Blues Foundation Pioneer Award, a Black Woman in Publishing Legends Award, and has
been inducted in the Alabama, Soul, Rock and Roll, and Vocal Group halls of fame. "Dancing in the Street" has been
entered into the Library of Congress Registry of Historical Recordings and into the Grammy Hall of Fame. Martha Reeves and
the Vandellas are listed among Rolling Stone magazine's "100 Immortal Artists."